Kulkarni and her colleagues also used information networks to compare Bach’s music with listeners’ perception of it. They started with an existing computer model based on experiments in which participants reacted to a sequence of images on a screen. The researchers then measured how surprising an element of the sequence was. They adapted information networks based on this model to the music, with the links between each node representing how probable a listener thought it would be for two connected notes to play successively – or how surprised they would be if that happened. Because humans do not learn information perfectly, networks showing people’s presumed note changes for a composition rarely line up exactly with the network based directly on that composition. Researchers can then quantify that mismatch.
In this case, the mismatch was low, suggesting Bach’s pieces convey information rather effectively. However, Kulkarni hopes to fine-tune the computer model of human perception to better match real brain scans of people listening to the music.