The problem? The film’s fictional Keating and his real-life counterparts—who now dominate secondary and post-secondary education—mostly poison the young people whose intellectual and spiritual thirst they mean to quench.
Healthy Order and Healthy Disorder
Before Keating exerts his influence, Welton is a place where many boys are thriving. We see boys sneaking transistor radios into dorms, boys contemplating how to steal the girlfriends of public-school athletes, boys forming regular study groups and occasional cheating alliances, boys bustling with the restless physical energy that, more than any other characteristic, defines male youth.
That is, we see boys pushing against the boundaries that their parents and teachers have set—exactly as healthy teens should.
Are those boundaries overly narrow and constraining, and therefore due for reform? In some cases, absolutely—and tragically so. Animated by class anxiety and therefore deeply concerned about his son’s academic performance and professional trajectory, Mr. Perry, the father of a boy named Neil, forces his son to withdraw from a position as assistant editor of Welton’s yearbook so that he can focus exclusively on his course work. Worse, given Neil’s deep penchant for acting, Perry forbids his son from participating in a local production of Shakespeare’s “A Midsummer Night’s Dream.” Neil defies his father by participating in the play anyway and ultimately commits suicide when his parents fail to understand the depth of his commitment to the theater and continue to insist that he become a doctor.
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