Tom Kealey has taught a lot of writing classes at Stanford University, but never one that asked students to consider the dramatic pause provided by the “page flip.”
Or how wide to draw “the gutter.”
Kealey and co-instructor Adam Johnson taught a winter course titled The Graphic Novel, and assigned their students to write, edit and illustrate a collaborative final project. The result is a 224-page graphic novel titled “Shake Girl,” based on the true story of a Cambodian karaoke performer named Tat Marina who was the target of an “acid attack” after she had an affair with a married man.
“In a normal writing class, you’d write a poem or finish a chapter and you’d own it,” Kealey said. “In this class, we had to collaborate every step of the way, every idea, and make compromises. It was the most difficult and rewarding class I ever taught.”
While the study of comics and graphic novels has steadily become an acceptable part of college curricula – “Maus” creator Art Spiegelman taught a course at Columbia University last year – the project-based graphic novel class offered at Stanford appears to be the first of its kind.